• by Cardinals Arinze, George, Medina, Pell • by Abbe Claude Barthe • by Lisa Bergman • ed. Manuale Centralino Promelit Progetto 20. Stratford Caldecott • by Stratford Caldecott • by David Clayton and Leila Marie Lawler • by Laszlo Dobszay • by Laszlo Dobszay • by Msgr. Klaus Gamber • by Nicola Giampietro • by Geoffrey Hull • by Fr. Thomas Kocik • by Peter Kwasniewski • by Peter Kwasniewski • by Agostino Marchetto • by Martin Mosebach • by Fr. Aidan Nichols, OP • by Fr. Aidan Nichols • by Catherine Pickstock • edited by Alcuin Reid • by Fr. Jonathan Robinson • by David Torevell • • ed.

• • • • • • (Anglican Use Parish, San Antonio) • (for Catholics of Anglican heritage) • • • • (Benedictines, Diocese of Meath, Ireland) • • • • (Norcia, Italy) • (Benedictines, St. Louis, USA) • (Benedictines, Hampshire, England) • (Holy Cross Cistercian Abbey, Austria - Solemn 'Reform of the reform' liturgy) • • (Berlin) • • • • (and ) • (Carmelite rite) • (Closely tied to French Catholic Scouting Movement) • (Klosterneuburg, Austria) • (Toulon, France) • (Austria; bi-ritual) • (Scotland and New Zealand) • (Wisconsin, USA) • (Nebraska, USA) • (Alabama, USA) • (France) • (Italy) • (Norbertine Fathers, California) • • (Norbertine canons) • (OSB, Chicago) • (Poor Clares, Roswell, NM). The famous Fulton J.

Sheen Sunday Missal (1961) is now available for free download. Needless to say, Archbishop Sheen did not produce the Missal alone: it was a joint effort by many, especially the Jesuit priests Rev. Philip Caraman and Rev.

However, Sheen did compose the lengthy Introduction (which every Catholic ought to read) and seems to have exercised an influence on the general contents. For example, the choice of English translations—Msgr. Ronald Knox for the Lauda Sion, Gerald Manley Hopkins for the Adoro Te, and so forth—is a clear signal of Sheen's involvement, because of his well-known admiration for those literary giants. In addition to the aforementioned Introduction, Sheen's Missal has several other remarkable features. The descriptions of priestly vestments are excellent. It also includes the entire 'Fore-Mass' (as Fortescue called it) alongside the readings for every feast. That choice meant printing the 'Kyrie Eleison,' for example, close to eighty times.