Album Features UPC 01 Artist Dashboard Confessional Format CD Release Year 2006 Record Label Vagrant Genre Rock & Pop Details Playing Time 41 min. Contributing Artists Adam Duritz Producer Daniel Lanois, Don Gilmore, Amanda Hayward, Gary Copeland Distributor Universal Distribution Recording Type Studio Recording Mode Stereo SPAR Code n/a Track Listing Disc 1 1. Don't Wait, 2. Reason to Believe, 3. The Secret's in the Telling, 4.

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Rooftops and Invitations, 6. So Long So Long, 7. Slow Decay, 9. Dusk and Summer, 10. Dashboard grows up I've heard other people complaining that this album just isn't the Dashboard they knew, that they are so vastly different and un-emo that it makes them cry. Well, bottom line- don't believe them.

I'm not sure what CD they are listening to, but I happen to love my copy. I've had it blasting through my stero for the past two weeks, and it still hasn't gotten old. My favoites, 'Rooftops and Invitiations' and 'So Long, So Long' are on repeat nonstop, although all the songs are put together well. I guess I don't understand why using a mixer, getting voally creative, and adding amps to your guitar makes you less emo and less feeling. With more ooomph behind them now, it sounds as much if not more full of heart. Chris's lyrics are poetic and beautiful, the music is tightly woven and haunting, and everyone who's been in love before should buy this CD if only for it's way of making you feel like you're the one who wrote the songs. Dusk and Summer Big is always better right?

Neato Software. Well that's what we're always told, yet the new Dashboard Confessional album may well dispell that myth. This record sounds HUGE.

Gone are the days of Mr Carabba wistfully strumming his guitar and singing about nursing his broken heart. 'Dusk and Summer' is a full band record with so many laters of production it's more shiny than a big shiny thing.

And sadly, the end result is more dad-rock than emo-rock. This is easily the worst DC album yet.

Save a couple of songs, including the 'bonus track' 'Vindicated', this is soulless and emotionless, the complete opposite of what made the band famous in the first place. If you've seen the band's unplugged session, you'll know exactly what DC mean to so many people. Chris' songs and his vocals just strike a chord with people.

As a solo artist his shows were more like a sermon, there was a connection that seemed different to almost any other artist. Sadly, that's now gone and in its place is a vapid bunch of songs that are polished beyond perfection. 'Don't Wait' is excellent, but as an opener it lulls you into a false sense of security. The rest of the record really doesn't live up to these heady heights and by the end you;re left wondering how someone could have penned 'The Places.' And then followed it up with this overrated made-for-MTV record. Too many of the songs simply blend in with one another. There are too many layers of guitars or vocals and even Chris' voice doesn't sound as strained or impassioned as it has done on previous albums.